THE STRANGE LOOP INTERTWINING 
pigments, polymers, enamel, acrylic glass (3 panels), wood, acrylic box, projector, generative video. dimensions variable
THE INTERTWINING 
pigments, thermoplastic polymers, acrylic glass, projector, looped generative video. 500mm x1000mm.

The surfaces allow the artist to take full advantage of the light and to play with the observation point of the spectator. What the viewer sees is never the actual place where the hand of the painter was - it could be that it is on the reverse or on a projection of that reverse. Through paintings, installations and exploiting the possibilities of the digital, the artist reflects on the relationship between technology and painting, the virtual and real, and between the natural and the artificial.' 
Text: Chiara Bernadini

PRESENT
ipad, imac, internet, humans, location.

'NoPlace' is an annual exhibition that claims to not be connected to any place, but requests the physical presence of the artist. As a performative work I was 'virtually' present on an ipad which was connected to my studio for the duration of the event. http://www.noplace.space/section/info