My practice as a VJ throughout this time period consisted of creating loops of visual material from layers of still images which I then programmed to work with certain sounds. Through mixing these loops in real time at 25 frames per second while synched to sound, I was in effect creating video. I noticed while in practice that certain image and word combinations would be generated autonomously, as though there was an unconscious collaboration with the technology I was using. This then became my aim - to not design the work as such but to allow the computer equal partnership in the development of the work.